genial welcomes 2014 with a new release and at the same time a new member in its roster. it is the italy based dj and producer leon who already has an impressive discography on labels like cecille, saved, defected and many many more. on genial he debuts with a track that has caused havoc every single time it got played for the past 6 months in clubs all over the world. king of the jungle takes us back to the past with its old school break beat, while the robot-esque vocal sample brings a flavour from the future. on the remix duties, the label favourite egal 3 provides a deep atmospheric version full of haunting synths and fxs, totally written for those late mornings when you just want to get lost in the music. on the b side, danish producer martinez is taking us to an almost 14 minutes trip with his concealed dub mix, with a deep but very groovy bass and a special arrangement which will keep you going from the start to end.

with a lengthy discography on influential imprints like his own sub static, triebstoff, dumb unit, contexterrior, and more, falko brocksieper has been a force in the development in deep, minimal sounds for a decade and a half. working alongside label co-head m.i.a., sub static and sublabel karloff released music from prestigious producers - rené breitbarth, mathew jonson, pan/tone, dj slip, shonky, and themselves - from 2001-2010 and established the lasting reputation of falko while identifying their label as a source of quality dancefloor ideas for its decade-long run.

already supported by ivan smagghe, pilooski, andrew weatherall, rebolledo, red axes, matt walsh, remain, cosmo vitelli and more.

selected pulls together material from mostly unfamiliar names like deepjust aquabeat, bassik grooove and bobby o donnell, alongside a couple of established heads like ryo murakami, aybee (as orion 70) and fred p himself, whose > n.y. (selected dub)<, a reshape of an old jazz tune, rounds out the compilation. > in the early days it was difficult to afford more than one or two records..< i would buy compilations because the value was greater and i was exposed to artist that i might not have known about otherwise,< he says. >when i think of compilations i think of mix the vibe, soul of science, trust the dj and of course dj-kicks. i learned a great deal from these series over the years and developed my own ideas based on what i love to hear thus selected was born. released soul people musics new sub-label, boards.

bristol music has always stood strongest as an alternative to the lowest common denominator, and so it is with brstl as the label continues to provide a platform to previously undiscovered talent in the underbelly of the citys flourishing house scene. following lauded debuts from shanti celeste and jay l, the sixth installment in the series turns to another unknown in the shape of samuel. as with other releases on brstl, 006 is made up of two distinct halves. on the a-side, >numberuma< delivers machine driven house of a rugged and charming nature. the drums switch up with playful intent but largely centre around a forward-charging 4/4 pulse with a faint hint of tropical flavour rubbed into the groove. meanwhile the limber lead keys speak of sunnier days through a cracked lens while the accompanying chord swells intone an equally uplifting and nostalgic message. while from the outset the track may be wrought from simple ingredients, the dynamic interplay between the different elements belies the producers years. on the flip, >groove therapy< opts for a more esoteric approach made up of long, dreamy lead-ins full of distant pads and delicate percussion and transitions as smooth as silk. indeed this track makes a smart foil to >numberuma<, choosing to snake its way into the subconscious through delicate melodic content and an undulating beat rather than rambunctious rhythm. slow-release filters draw that aforementioned pad in before sending it out to sea once more, and all the while the stripped back drums tick out a hypnotic chant. once again a pair of unique tracks loaded with character prove brstl to be an essential outpost for the most creative 4/4 music emanating from the west country.

this ep will be more a mini album than a maxi with an album repack version (original album + the eps tracks)

just over a year after their debut single for throne of blood, canadian/finnish trio bohemian groove return with two more slices of gritty, technoid funk on *a musical drama*. remixes come from hieroglyphic being and posthuman.

before his upcoming extended ep christian loeffler returns with this seven inch sized record. just like its unusual format this release features two unique pieces of music and an artwork created by loeffler himself. as on his debut album a forest, he teamed up once more with danish vocalist gry bagoien.

for its first release of 2014, sammy dees ultrastretch label has called upon monsieur georget. youre forgiven if the name is unfamiliar. his bio offers few clues�he likes his bicycle, vin rouge and analog hardware, the latter of which was apparent on his recent debut for le loup and seuils hold youth label. bold and auspicious, the ep may have left you wondering if it was something more than a first record. and as it turns out, monsieur georget is none other than chris carrier, the long-active french purveyor of hypnotically minimal house.luckily we werent left waiting for very long for more material from carriers new alias. his second release, le vicieu / colle de la bonette, shows that monsieur georget and monsieur dee share an affinity for pared down, wonderfully elastic club tracks. like carriers best work, the compositions themselves are minimalist, but their hardware-based sound pallet ensures theres plenty of meat on the bones. a-side le vicieu is a subtly melodic shuffler, where deep bass growls at the core of an expansive drum set and whispers suffuse the negative space with mystery. on the flipside, colle de la bonette takes the sound someplace stranger and more psychedelic. whatever weird place were whisked off to, though, its every bit as funky, with brittle drums undulating to the kicks deliciously irregular throb. >monsieur georget< might be a brand-new name, but we�re willing to wager you ll quickly get to know these rollers well.

a few words by steffen bennemann: i was in loose contact with aggelos (dream weapons) for a few years, watching him from a distant with great interest. in 2012, he sent me his debut lp on inner ear under his fantastikoi hxoi moniker and it quickly became my favourite album of the year. when i told him our plans for holger he sent me some of his more electronic leaning music. i was instantly captured by the driving, trippy kraut techno songs which show homage to the psychedelic sounds of the 60s and 70s while holding their own in the here and now. exactly our cup of tea.

kris wadsworth is an increasingly rare breed of artist that flat refuses to play industry games and pander to current trends, focusing on the darker, more uncompromising (and more honest) realms of electronic music. releases have steadily clocked up for such esteemed imprints as boe recordings, nrk music, alphahouse, get physical and morris/audio, landing on hypercolour for 2009�s impressive �deport this� (and subsequent single �mainline�), and it is for the eclectic and forward thinking uk label that wadsworth aims his second full length player at.

ukrainian duo woo york explore more deep techno with 2nd soma release.

r&s sister label apollo are very proud to announce a four-track ep from james leyland kirby. mastermind behind arch sonic provocateurs v/vm as well as the more contemplative the caretaker and the stranger, kirby has been responsible for some of the most unique, subversive and moving electronic music of the past two decades. following a quiet 2012 and 2013, the ep marks both his apollo debut and his first release since 2011 under the leyland kirby alias - an outlet for his most personal and reflective work.

with the dawn of a new year its time to pump more mysterious funk into the dancefloor with your favourite provider of under-the-radar edits, grooves, jams and workouts, the one and only shimmy sham sham.

ushering in a big new year for doc daneekas ten thousand yen is one of the most exciting underground artists to emerge over the last few years. combining a bruk shuffle with a natural flare for techno, presk has been carving out his own subtle niche since 2011. each track on this release stands tall alone, showcasing presks natural leanings, from the raw broken funk hit of *saluki*, the warped techno of *mod1 & rais* to the deft touch of *vigor*. this is presk at his very best, showing whats to come of this exciting producer and marking a very fitting return to the label. with support already from gilles peterson and a prime slot on jackmasters soon-to-become-legendary mastermix 4, saluki is set to be around for a while. don t sleep on this one.
includes immediate download of 4-track album in the high-quality format of your choice (mp3, flac, and more).

french brothers baptiste & pierre colleu have been making music together since they were children. they spent a chunk of their childhood in africa, which they say has inspired their work in the studio. that influence is submerged fairly deep on dolphin kid, the title track for these two eps. theres an undercurrent of eerie soulfulness and woody percussion accents running through this oddly alluring cosmic-house seducer, but its roots are more balearic than afrobeat.

french brothers baptiste & pierre colleu have been making music together since they were children. they spent a chunk of their childhood in africa, which they say has inspired their work in the studio. that influence is submerged fairly deep on dolphin kid, the title track for these two eps. theres an undercurrent of eerie soulfulness and woody percussion accents running through this oddly alluring cosmic-house seducer, but its roots are more balearic than afrobeat.

please meet simon haydo, one of the key players in stockholms true school techno scene.

the third in the modular techno series from live analogue artist and freerotation organiser steevio. after 15 years of producing techno live on hardware, in 2009 steevio began building a dedicated machine on which he could totally improvise an entire techno performance from a blank canvas that far surpassed anything he could do with his previous setup of drum machines and synthesizers. steevio�s modular is 100 analogue, there is no computer involved, there are no memories to save sounds or sequencing patterns, and everything is improvised in real time.. volumes 1 and 2 of the series were just a taster of what was to come, and were the early experimentations on steevio�s newly built machine. steevio records everything he does, especially during the intense practice sessions for live gigs. all the music in the series are out-takes from these practice sessions, and the tracks from volume 3 and the forthcoming volume 4 all come from a three day period in practice for a recent live gig at delete, bournemouth, uk. volume 3 continues from where volume 2 left off but delivered with more confidence and a deeper more hypnotic feel. steevio continues to develop his skills and fine tunes his unique instrument in this dedicated for life project.

alexander kowalski is someone you should know. not only is he a resident artist at our club, but with uncountable eps and several albums on heiko laux label kanzleramt and others, he has contributed more to electronic music than many others. to have a separate platform for the darker and harder productions of his, he created the alias d_func. a while ago. when he approached us with the tracks that are now on the record in hand, we immediately fell in love with the mills-like energy of them. perfect drum programming, driving synth lines two perfect tools for any proper techno set. the dirt mix of revalism which is included in the digital release package puts the original in a more modern jacket with its stompy beat � another proof of how well alexander knows what the djs need to please their crowd.let the dancefloors burn!

2017 reissue .. bang (the underground doesnt stop) is a dancefloor anthem, magnificent and pure chicago circa 1998. boom (chakolak) takes you way back to the southside with its gritty footwork 909 kicks, snares and vocal loops, massive! beat (da boxx) is a pure garnier, dancemania inspired techno monster. the loop is finally complete, garnier can now hop on flight af 0490 direct from paris to chicago to bang the box once more.

with *believe in love* yousef returns home to circus recordings with 3 cuts that have been turning heads all summer long. the title track features the legendary vocal of roy davis jr who once again, asks the world a poignant question. a rolling, infectious and gnarly groove develops and unfolds into a long and harmonic breakdown before a blistering crescendo. designed for the heads but with still enough action for the people that follow yousefs more musically trickier offerings.
just a beat is exactly that. yousef busts out a stripped back boogie bass over tight drums and oddball acid. no messing around, heads down, hands up. what is revolution is completely reworked by circus label mates acid mondays. remixing one of the stand out cuts from yousefs recent *a product of your environment* artist album, the mondays show how to bring authentic house music into the 21st century.

afulab returns in 2014 with a brand new fat ep by our man kardinal named rest in pain ep !the limited first pressing will be on coloured vinly !dj,producer,remixer,label manager of goog recordskardinal(goog / afulab / phobiq / driving forces / respekt / hydraulix and many more)

following their acclaimed debut album, migration, on prins thomas internasjonal label in 2012, jamie paton and nigel hoyle (aka nigel of bermondsey) have seemed relatively quiet save for the odd remix here and there. tucked away deep in their south east london base though, a series of remixes and solo projects have been steadily forming. with new c&a material planned for 2014, plus more to come from jamies new solo efforts, as well as nigel making a long overdue reappearance in maurice & charles, now seems the right time to draw a line under their collective work to date. here then are a collection of unreleased interpretatons, including the sought after vocal remix of psychedlic darlings, in goats anthemic run to your mama. this is followed by a late night dub of 80s pop duo blancmange that mixes strings, guitar and some dub bass with a dose of space echo before bringing neil arthur s classicly recognisable refrain shining through. to finish is a remix of goats label mates teeth of the sea. fx-soundtrack vocal, bubbling 303 and 808 combine on a proper 3am dub that builds beyond some mere drug-chug.

vinyl only! second round in the little hill, for this ride, rave in the hill ep, we have more techno raw material, another two original tracks from label head lorentz, with techno-stomped works. here little hill team-up roberto bosco (wave music) wich propose a remix full of atmposphere and again owl(bpmfamily) strike us with his strong interpretation!

new on big box recordings - a tribute to larry levan! kultissime featuring linda lee hopkins *take me back* with remixes coming from bibi and aliwud.

*it all started in 1974 with the purchase of my first mini moog and another 70s dream machine, a white mellotron m 400.* so starts klaus hoffmann of his 40 years love affair with the mellotron. moving from prog-rock guitarist to cosmic disco warrior in a space of a few years, the birth of cosmic hoffmann would lead to a number of classic kosmiche albums through-out the 1980s. before this though came space-disco. initially recorded in 1978 after endless late night sessions exploring the new realms of this free form electronic music, the first incarnation was recorded live to tape for a failed film project. an uplifting spaced-out synth journey, it was the later reworked version that would go on to become the lost cult classic. with added disco syncopation taking the track into interstellar spheres, it appeared only as a flipside of cosmic hoffmanns first and last single, *weltraumboogie*, in 1982. unfortunately the release did not make much impression at the time but has become highly sought-after for the more leftfield dj and music lovers in the years since. now fully licensed and remastered, the inclusion of the unreleased 1978 original will be only add to the collectors dream.

180 gramm, black vinyl, shrinked. andre kronert comes up with a raw, hypnotic and groovin track on ada kalehs very own imprint. the label honcho presents a typical flowing and driving romanian styled remix. there is nothing more to say! very limited copies!

we introduce you you the first ep from dave and the first remix of raresh and praslea working together as praslesh. polen 002 is more than a vinyl, its a piece of sound + visual art, a collaboration between us, the names mentioned above, claire falkenberg and wanderlust.

2015 repress! transparent vinyl. part 1 of 2.this latest ep on enemy maybe the most psychedelic and hypnotic release the label has released thus far. psychedelic hypnotism may sound like a bad acid rant from the >summer of love,< but this 2 part vinyl ep will prove you otherwise. the first vinyl focuses on the more abstract side of the dance floor, leading off with rrose and donato. perfect for the beginning of the evening or the early morning. the second vinyl is the more club-oriented accompaniment courtesy of jesper dahlback and grindvik & zahn.

chymera returns to ovum with tidal/moot point it has been 7 years since chymeras seminal ovum release umbrella and it only seems fitting that we kick of our 20th anniversary celebration with a new release from the irish producer. since his debut on ovum, chymera aka brendan gregoriy has been busy releasing on lables such as nrk, komplex de deep, cocoon, kompakt, and more.

andrade is a truely new talent coming straight from the parisian underground. having made a name for himself thanks to several well received gigs in his hometown and a few releases from good people like steve bug, djulz, delano smith, ralph lawson, labels are already begging for more.

piston recordings label boss rogerio martins is next up on his own well-established label with a new track that gets plenty of great remix treatment from joss moog, james dexter and jr from dallas. martins has steered his label through a dizzying amount of quality releases since 2007 picking up support from the likes of laurent garnier and john aquaviva who have confirmed themselves as fans in the past and this new release is sure to find just as much favour with the top dogs. >gonna be mine< is the one martins original and is a classical inclined bit of mature house music with sombre piano chords draped over nicely shuffling percussion. subtle human sounds litter the arrangement and more lively stabs enter the fray in the latter half but essentially this is all about the warm and inviting groove.

its safe to say that 2013 has been the biggest year in gregor treshers career so far. remixing depeche mode & moby, releasing his 4th full length album and completing another tour around the globe spanning over more than 8 months, there is no stopping in sight for the man.

bobby o donnell, it should be noted, really brings his agame to the table on the release. much like the title suggests, its an ep thats full of lucid moments, with blissful moments of tranquility wonderfully rubbing shoulders with more introspective and melancholic fare throughout.

kuba sojka is a rising techno and house producer from poland whos picked up critical acclaim in recent years for his releases on mathematics, matrix records, souliner and more recently dogmatik. kuba returns to fledging deep tech uk based label souliner with three original cuts and one remix by label boss souliner.

promising bristolian producer joefarr released his debut ep in late 2012 for tigas ever reliant turbo recordings, picking up plays from the likes of dave clarke, ivan smagghe, dexter & many more. a further ep on turbo, *clocks*, followed, as well as remixes for tiga and zombie nation, so enamoured were they with his production prowess, and now kick starting hypeltds 2014 campaign, joefarr presents four cuts for the hypercolour offshoot.

2013 proved to be an excellent start to life as a label for music is love. as well as truly finding their feet and establishing a breed of music representative of what the label symbolise, they simultaneously introduced us to plenty of fresh new talent and particularly pleasing was the unearthing of numerous promising uk artists

can the ugliness of the colour be more in contrast with the beauty of the tracks as is the case on wph brown? decide for yourself, but were sorry the rainbow colours were all out

with a self-proclaimed goal to showcase newcomers as well as established artists, melodymathics hands out their second punch with a killer track by detroit veteran gari romalis. gari is at the forefront of the detroit techno scene, working close with terrence parker, mike banks, cliff thomas and labels such as tresor, transmat, soma and many more. his productions clearly show that his 30 years experience djing made him realize what works on the dancefloor. the web on melodymathics ltd.002 is a sublime example of soulful keys combined with funky rhythm, resulting in the ultimate dj tool.

put simply, alexi delano and butane share a devotion to pure artistry that few in this industry are able to claim. both, over the breadth of expansive careers, have consistently chosen to forgo more commercial paths for wholesome, timeless, underground projects . after a chance meeting at an impromptu after-hours in brooklyn where they rocked a packed warehouse together well into sunday evening, the two decided to combine their talents in the recording studio, where they found an undeniable synergy. alexi, born in chile, raised in sweden and later adopted by new york, has been producing music for nearly 20 years. butane, born in the usa, dues paid in berlin, and currently calling new york home, has been djing professionally for 12 years and producing for almost 10. when 30+ years of experience comes together, one should take notice. here, the results are electric.

more f*ckin old skool flavoured killer tracks

feelharmonic records is very proud to welcome back to the fold the artists that kicked it all off for us at the start of this adventure, duijn & douglas. and to mark the occasion we are delighted to present the ubiquitous dutch duo�s eddies groove ep as our very first 10-inch release. opening proceedings is the original version of the title track a deep as, shuffling strung-out groove, a raw yet warm fuzzy-headed, druggy and slo-mo analogue odyssey. by contrast, the remix from the rightly revered deepblak boss aybee is a more precise affair yet packed as always with depth and purpose

kondaktor, the athenian producer who made his debut last year at further records, releases music for the sixth modal analysis record. signal ep includes two original tracks signal #1 and signal #2 which were created through the manipulation of field recordings, that are structured as a collage of sounds delivering a deep and claustrophobic sensation. on the other side of the record, sawf and anfs construct two versions of the tracks taking a more industrial and rhythmic approach to the existing works

third release by tom trago and bok bok for the night slugs spin-off with more hot & sweaty dj food.

played by ricardo villalobos ...chris simmonds classic released @ end of 90s, official re-edition

packed with three headphone jams that work on the dancefloor, animals marks the entry of a new creative force into the throne of blood family and a return to a lighter, more spaced-outvibe than much of the nyc-based imprint�s output over the past year. with an eye towards pushing things forward whilst keeping a foot firmly planted in a shared past spent raving to all sorts of dance music, throne of blood is proud to introduce our latest signing: pleasure planet.

following suit where his 2xlp left off gunnar haslam presents a new ep for l.i.e.s. once again we see haslam find a nice balance between combining samples and hardware in his productions creating moving and atmospheric tracks, which range from slow stripped down soundtrack style cuts to more developed far out techno. mastered and cut by matt colton at alchemy.

nice price deal !!! the new release of how the other half lives. early support comes from daniel avery, tim sweeney, optimos jd twitch, bicep, luke abbott, cosmo vitelli and many more